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1. The Covent Garden Comedy Club @ Heaven- Heaven, Sam, 1 Feb 2020 - Sam, 30 Mai 2020
Ab 24,20 €
2. Dear Evan Hansen- Noel Coward Theatre, Fre, 31 Jan 2020 - Sam, 30 Mai 2020
Ab 116,80 €
3. Faulty Towers The Dining Experience- Radisson Blu Edwardian Bloomsbury, Fre, 31 Jan 2020 - Son, 3 Mai 2020
Ab 80,40 €
4. The Prince of Egypt- Dominion Theatre, Mit, 5 Feb 2020 - Sam, 12 Sep 2020
Ab 73,50 €
5. Luisa Miller- Coliseum Theatre, Mit, 12 Feb 2020 - Fre, 6 Mär 2020
Ab 30,90 €
6. Michael Keegan-Dolan - Teac Damsa - MAM- Sadler's Wells, Mit, 5 Feb 2020 - Fre, 7 Feb 2020
Ab 24,60 €
7. Eric & Ern- Duke of York's Theatre, Son, 2 Feb 2020 - Son, 9 Feb 2020
Ab 24,60 €
8. Opera Undone- Trafalgar Studio Two, Mit, 5 Feb 2020 - Sam, 7 Mär 2020
Ab 30,90 €
9. Musik- Leicester Square Theatre, Mit, 5 Feb 2020 - Son, 1 Mär 2020
Ab 50,40 €
10. Pass Over- Kiln Theatre, Don, 13 Feb 2020 - Sam, 21 Mär 2020
Ab 22,80 €
Dies ist ein brandneues Produkt in unserem Sortiment und ab sofort buchbar. Mehr Informationen auf Deutsch finden Sie bald weiter unten!
Ben Elton brings his critically acclaimed and much adored BBC sitcom UPSTART CROW to its natural home, the stage, with an all-new comic play set to delight London’s West End. Starring David Mitchell, once more donning the bald wig and bardish coddling pouch in his iconic characterisation of Will Shakespeare and Gemma Whelan as the sweet and fragrant Kate.
Was kann ich erwarten?
‘Tis 1605 and England’s greatest playwright is in trouble. Will Shakespeare has produced just two plays; Measure for Measure, which according to King James was incomprehensible bollingbrokes by any measure, and All’s Well That End’s Well which didn’t even end well.
Will desperately needs to maketh a brilliant new play to bolster his reputation and avoid being cast aside by King and country. But Will’s personal life is encountering more dramatic twists and turns than any theatrical story he can conjure. How the futtock can a Bard be expected to find a plot for a play whilst his daughters run amok and his house is used as refuge for any old waif and stray.
As time runs out, can Will hold on to his dream of being recognised now and for all time, as indisputably the greatest writer that ever lived, or will family woes thwart Will’s chances of producing his masterwork?