-
Keine versteckten Kosten
-
Tickets direkt per E-Mail
-
100% sicheres Zahlungssystem
Suche Tickets
Warum bei uns einkaufen?
Veranstaltungsort-Info
Ähnliche Erlebnisse
-
1. Mamma Mia! - Das Musical
- Novello Theatre, Mon, 13 Mai 2024 - Sam, 29 Mär 2025Ab 16,90 €
-
2. Tina - Das Tina Turner Musical
- Aldwych Theatre, Mon, 13 Mai 2024 - Sam, 31 Mai 2025Ab 14,40 €
-
3. Disneys Der König der Löwen - London
- Lyceum Theatre, Die, 14 Mai 2024 - Sam, 19 Okt 2024Ab 57,20 €
-
4. Wicked the Musical
- Apollo Victoria Theatre, Die, 14 Mai 2024 - Son, 1 Jun 2025Ab 34,10 €
-
5. Zurück in die Zukunft: Das Musical
- Adelphi Theatre, Mon, 13 Mai 2024 - Son, 22 Dez 2024Ab 26,80 €
-
6. Les Misérables
- Sondheim Theatre, Mon, 13 Mai 2024 - Sam, 29 Mär 2025Ab 34,10 €
-
7. Die Eiskönigin – Das Musical
- Theatre Royal Drury Lane, Mit, 15 Mai 2024 - Son, 8 Sep 2024Ab 44,30 €
-
8. Das Phantom der Oper
- His Majesty's Theatre, Mon, 13 Mai 2024 - Sam, 29 Mär 2025Ab 34,10 €
-
9. Moulin Rouge! Das Musical
- Piccadilly Theatre, Mon, 13 Mai 2024 - Sam, 26 Okt 2024Ab 27,40 €
-
10. Hamilton
- Victoria Palace Theatre, Mon, 13 Mai 2024 - Sam, 29 Mär 2025Ab 27,40 €
Ähnliche Kategorien
Double Feature
Dies ist ein brandneues Produkt in unserem Sortiment und ab sofort buchbar. Mehr Informationen auf Deutsch finden Sie bald weiter unten!
“Art and Eros are always superimposed, don’t you find? You cannot separate the two: the model naked in supplication before the artist; the artist exposing himself in trust. The beast of creation is always erect.”
1964/1967. In a rented cottage in Suffolk, a brilliant young film director, deep in making his magnum opus, confronts the ageing star that the studio has imposed on him. Vincent Price is about to walk out on the film, and Michael Reeves’ career hangs by a thread. Across the world, in a strange simulacrum of a Suffolk cottage created on a Hollywood lot, a great director and his star are engaged in a very different sort of power-game, as Alfred Hitchcock and Tippi Hedren take time off from making Marnie for one final confrontation.
John Logan is an American playwright and screenwriter. His other plays include the Tony Award-winning play Red (West End and Broadway), Peter and Alice (West End) and the book for Moulin Rouge (West End, Broadway, International); his screenplays include The Aviator, Skyfall and Gladiator.
Jonathan Kent returns to Hampstead where his previous productions include Good People, The Slaves of Solitude and The Forest.
1964/1967. In a rented cottage in Suffolk, a brilliant young film director, deep in making his magnum opus, confronts the ageing star that the studio has imposed on him. Vincent Price is about to walk out on the film, and Michael Reeves’ career hangs by a thread. Across the world, in a strange simulacrum of a Suffolk cottage created on a Hollywood lot, a great director and his star are engaged in a very different sort of power-game, as Alfred Hitchcock and Tippi Hedren take time off from making Marnie for one final confrontation.
John Logan is an American playwright and screenwriter. His other plays include the Tony Award-winning play Red (West End and Broadway), Peter and Alice (West End) and the book for Moulin Rouge (West End, Broadway, International); his screenplays include The Aviator, Skyfall and Gladiator.
Jonathan Kent returns to Hampstead where his previous productions include Good People, The Slaves of Solitude and The Forest.